At risk of being " hypocrite": this is indeed what awaits everyone, whatever his age or social group. Molière warns
"What, the fake sweetness of this hypocrite ... "
Declaration bittersweet own company to show up in the Great Kingdom, as in any staging a-timeless-me guilty and pathetic.
"And I'm anything but alas, that what we think.
Everyone thinks I'm a good man,
But the cold fact is that I am worthless."
Admission
cruel than revealing the real behind the mask. Molière plainly reveals the false good conscience who takes on the trappings of deceit. Tartuffe, impostor by nature, takes the other for ... "truffle" (Quasi disambiguation, semi-familiar half-vulgar the word "hypocrite" , and another sense of the word). For the mechanism of theft works, it takes two: the deceiver and the deceived, the duplicitous and his accomplice. And everyone takes his role flawlessly! The hypocrisy is a dish best served hot, in full complicity. Tartuffe, an escaped convict, is such qu'Orgon invent, willing, the dream receptacle of all the sins of the world, unlikely and redemptive messiah despite himself.
is something far deeper than the sham, since it puts on the appearance of truth-confiscated-thrust forward by the name of a Sovereign Well ... hypothetical, symbolized by a religion closely associated with royal power at the time. Invincible weapon against dissidents of all kinds, safe-conduct pass wherever indulging openly without fear of being criticized: Blessed bidding! But it is
nothing less than to transform the sacred instrument of violence, aggression. Tartuffe, an expert in hiding behind a purity that does not exist because foreign world as it is: the impostor denies himself as he denies the world. Tartuffe is the trade secret with a sort of secret and obscenity on top of (bad) faith, wants and is the justice of Heaven. Height of deception slaying ... deception!
"... What I have enough to confuse and punish fraud,
Venger heaven we hurt, and to repent ..."
It expresses the alpha and omega Hi Good and to administer to others:
"In the next love of his virtue is consumed
... And by pure charity, it wants to remove
Anything that may hinder you save ".
purity, hardness infallible, he is the voice of the Inquisitor, ready to recant all his relatives:
" ... And I to sacrifice so powerful nodes
Friend, wife, parents, and myself with them. "
It arises prototype, spokesman confessed of all fanaticism, even the most latent, proselytes from all sides (religions, sects, communitarianism, clans, castes and processions ...) taking any prices to give reason to extend their hold on the mind. Molière does not denounce this only "counterfeiters in devotion" but also "righteous excessively" . The theater, kingdom of apparently does have the power to denounce false facades. Imposture and folly depart from the norm: it is the merit of the comedy show. The location of the masks is par excellence where we ... unmasked. Tartuffe never confess, never drops the mask: he must snatch at the end of the room.
Appearance cons actually a dual language against good faith, illusion cons knowledge, guardianship cons freedom: and if any religion contained within itself the seeds of its own parody, through this stubborn propensity to convert souls? Draft suspect that grows every man to give up its natural integrity for ... tartuffier is himself!
Molière, elegant and subtle as the defender of a morality of "balance", we went to our insight and our freedom of conscience. With due respect to devotees of all stripes and vigilante! ... Referring deception and complacency back to back, Orgon finally issued may cry (a little excessive):
"It is done, I waive all good men ..."
Declaration bittersweet own company to show up in the Great Kingdom, as in any staging a-timeless-me guilty and pathetic.
"And I'm anything but alas, that what we think.
Everyone thinks I'm a good man,
But the cold fact is that I am worthless."
Admission
cruel than revealing the real behind the mask. Molière plainly reveals the false good conscience who takes on the trappings of deceit. Tartuffe, impostor by nature, takes the other for ... "truffle" (Quasi disambiguation, semi-familiar half-vulgar the word "hypocrite" , and another sense of the word). For the mechanism of theft works, it takes two: the deceiver and the deceived, the duplicitous and his accomplice. And everyone takes his role flawlessly! The hypocrisy is a dish best served hot, in full complicity. Tartuffe, an escaped convict, is such qu'Orgon invent, willing, the dream receptacle of all the sins of the world, unlikely and redemptive messiah despite himself.
is something far deeper than the sham, since it puts on the appearance of truth-confiscated-thrust forward by the name of a Sovereign Well ... hypothetical, symbolized by a religion closely associated with royal power at the time. Invincible weapon against dissidents of all kinds, safe-conduct pass wherever indulging openly without fear of being criticized: Blessed bidding! But it is
nothing less than to transform the sacred instrument of violence, aggression. Tartuffe, an expert in hiding behind a purity that does not exist because foreign world as it is: the impostor denies himself as he denies the world. Tartuffe is the trade secret with a sort of secret and obscenity on top of (bad) faith, wants and is the justice of Heaven. Height of deception slaying ... deception!
"... What I have enough to confuse and punish fraud,
Venger heaven we hurt, and to repent ..."
It expresses the alpha and omega Hi Good and to administer to others:
"In the next love of his virtue is consumed
... And by pure charity, it wants to remove
Anything that may hinder you save ".
purity, hardness infallible, he is the voice of the Inquisitor, ready to recant all his relatives:
" ... And I to sacrifice so powerful nodes
Friend, wife, parents, and myself with them. "
It arises prototype, spokesman confessed of all fanaticism, even the most latent, proselytes from all sides (religions, sects, communitarianism, clans, castes and processions ...) taking any prices to give reason to extend their hold on the mind. Molière does not denounce this only "counterfeiters in devotion" but also "righteous excessively" . The theater, kingdom of apparently does have the power to denounce false facades. Imposture and folly depart from the norm: it is the merit of the comedy show. The location of the masks is par excellence where we ... unmasked. Tartuffe never confess, never drops the mask: he must snatch at the end of the room.
Appearance cons actually a dual language against good faith, illusion cons knowledge, guardianship cons freedom: and if any religion contained within itself the seeds of its own parody, through this stubborn propensity to convert souls? Draft suspect that grows every man to give up its natural integrity for ... tartuffier is himself!
Molière, elegant and subtle as the defender of a morality of "balance", we went to our insight and our freedom of conscience. With due respect to devotees of all stripes and vigilante! ... Referring deception and complacency back to back, Orgon finally issued may cry (a little excessive):
"It is done, I waive all good men ..."
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